Thou Art Indeed Just, Lord
"Thou Art Indeed Just, Lord" is a poignant reflection of Gerard Manley Hopkins’ personal struggle with spiritual desolation.
Biographical Account of G.M. Hopkins
Gerard Manley Hopkins (1844–1899) was an English poet and Jesuit priest whose poetry is renowned for its innovative use of rhythm and metre and its vivid and dramatic use of imagery and diction. Born into an Anglican family, Hopkins converted to Catholicism in his early twenties and later became a Jesuit priest. His religious convictions deeply influenced his poetry, which often grappled with themes of nature, God, and personal despair. Despite writing prolifically during his lifetime, most of his work remained unpublished until after his death, and he was not widely recognised until the 20th century. Today, he is considered one of the Victorian era's greatest poets. Hopkins’ intricate style and profound spirituality make his poetry a subject of enduring study and admiration.
Contextual Background of the Poem
"Thou Art Indeed Just, Lord" is one of Hopkins' 'terrible sonnets', a series of poems he wrote during a period of deep spiritual desolation in the late 1880s. This particular poem is a lamentation, where Hopkins voices his frustrations with his perceived spiritual barrenness and inability to serve God as he wishes. It draws heavily on Biblical language and is reminiscent of the Psalms, particularly those that deal with the suffering of the just.
Stanza-wise Explanation
Octave
Lines 1-2
“Thou art indeed just, Lord, if I contend With thee; but, sir, so what I plead is just.”
Here, Hopkins begins by acknowledging the supreme justice of God. He essentially
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